The matter-of-fact depiction of the family life of the commandant of Auschwitz conveys our horrifying capacity of living with and condoning the greatest evil....
Céline Sciamma’s fairy tale-like film, presented as matter of fact, presents the fulfillment of a little girl’s desire to know what her mother was...
Jane Campion’s first film in twelve years examines deceptive notions of manhood on a cattle ranch in 1920s Montana. New Zealand filmmaker Jane Campion...