Lucrecia Martel’s latest film is a portrait of colonial futility, in which an 18th century official in an out-of-the-way South American locality struggles to...
Beautiful and extremely weird, November mixes Estonian folklore with an unflinching depiction of 19th century peasant life, to create a potent brew. I’d never...
Chris Dashiell celebrates his favorite films from last year. At the end of a year, film critics start putting out “Top 10” lists or...